This is the project that preceded, and inspired, the medical landscapes project I am currently working on. I became aware that, in many cases, the medical history of Britain is presented in a quiet almost secretive way. Often these museums are tucked away in the basements or corridors of the great areas of medicine they seek to venerate, and in one case the whole building is both museum and conference centre mixing lectures and fine art.
I wanted to show how these two worlds of old and new exist, one creating the other to support itself.
Thursday, 24 March 2011
Tuesday, 22 March 2011
Medical Landscapes
Right, have decided to fire up the old blog idea for the final push in. Mainly because I would like to keep people in the project and those interested outsiders informed as to what is happening, though it will be a visual blog in the main.
The idea of the work is to create New Topographics inspired landscapes of sites that are of special interest in British medical history. Most of these places are unknown or unseen by the public at large and this is an attempt to highlight that important things can happen anywhere. The images are made intentionally 'without art' in order to show the everyday nature of the scenes, if the pictures are made to look special then the lose their relevance to the project.
These are images made so far, they are intended to work alongside more detailed text to give an idea of what the picture represents. The captions below are for illustration and are not representative of the final text to be included.
Please comment as you see fit, but bare in mind that this site is also being seen be people outside the course who are involved in the project and might not appreciate our sense of humour!
The idea of the work is to create New Topographics inspired landscapes of sites that are of special interest in British medical history. Most of these places are unknown or unseen by the public at large and this is an attempt to highlight that important things can happen anywhere. The images are made intentionally 'without art' in order to show the everyday nature of the scenes, if the pictures are made to look special then the lose their relevance to the project.
These are images made so far, they are intended to work alongside more detailed text to give an idea of what the picture represents. The captions below are for illustration and are not representative of the final text to be included.
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| This house was one of the London residences of the Crimean War nurse Mary Seacole. |
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| Residence of William Hunter, anatomist. |
Please comment as you see fit, but bare in mind that this site is also being seen be people outside the course who are involved in the project and might not appreciate our sense of humour!
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